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Critical Provisions

scraps of literary criticism–from the classroom, works in progress, private musings, public soliloquies, barroom disputations, and more.

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Tag: Shakespeare

250. (Jean Racine)

I write as a novice, an initiate into Racine’s imaginative world, and I enter with just enough French to feel … More

decorum, English Literature, French literature, Racine, Shakespeare

231. (Erich Auerbach)

Not only can be it said that art happens in history, but that history happens within each work of art. … More

Erich Auerbach, History, John Keats, Poetry, Shakespeare, William Wordsworth

199. (William Shakespeare)

As You Like It perplexes for many reasons, not least of which is a disproportionate structure, whose warps and excrescences … More

pastoral, Renaissance, Shakespeare

189. (William Shakespeare)

The experiences of time, from its swelling (the remove from the court in As You Like It) and contracting time (Richard II; … More

Shakespeare, time, tragedy

188. (William Shakespeare)

Many of Shakespeare’s plays involve a recurring movement or transformation, which I will describe in terms that are broadly metaphysical … More

Shakespeare

187. (Charles Williams)

When anyone remembers Charles Williams these days, it is probably for one of two reasons. Either they know of Williams … More

Charles Williams, Criticism, Poetry, Shakespeare

177. (William Shakespeare)

A second in a series of what seem a “redundant discoveries of obvious value,” this post can claim nothing novel about Shakespeare’s … More

Politics, Shakespeare, Sonnets, the sonnet

171. (T.S. Eliot)

  Among Eliot’s staunchest and nimblest readers, Christopher Ricks was unrelenting in his 1978 attack on Eliot’s late essay, “What … More

Christopher Ricks, Criticism, Elizabethan Drama, Geoffrey Hill, Jacobean Drama, Shakespeare, T.S. Eliot

103. (Anthony Hecht)

They are almost “conversation” poems, but they offer too many explanations, the sorts of explanations of who the speaker is, … More

American poetry, Anthony Hecht, decorum, Poetry, rhetoric, Shakespeare

55. (William Shakespeare)

The crisis for Richard II, and the crisis of Richard II, comes in Act 3, Scene 2: landing from Ireland, … More

Derek Jacobi, Drama, Mark Rylance, Performance, Richard II, Shakespeare
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