Beckett said Samuel Johnson was always with him; yet reading the trilogy, Molloy etc, one feels also (Kenner remarked on it in his 1968 study) that Wordsworth was often with him too. Parts of it seem to have come from an experiment: what if Wordsworth’s solitaries, the leech-gatherer above all, attempted to write their own Recherche du Temps Perdu? How Johnson in this? An answer … Continue reading 256. (Samuel Beckett)
The last volume of Proust’s great novel is, from the sado-masochistic fantasies of Baron de Charlus in the first half, to the final party given by the Princesse de Guermantes (formerly Mme. Verdurin) in the second, a reckoning with the body as a vessel not just for life in time, but for time itself. The meditations on the body resemble, intersect with, and then develop … Continue reading 219. (Marcel Proust)
In the sixth volume of Recherche, Proust approaches Tennyson: the section of The Fugitive entitled “Grieving and Forgetting” is an extended elegy, an expression of grief and mourning that is also a reflection on grief and mourning. For Proust, however, the grief and mourning for Albertine prompts an elegy for desire (which is a dimension of love), whereas Tennyson’s grief and mourning for Hallam provokes … Continue reading 216. (Marcel Proust)
In the fifth volume of Recherche, The Captive, Baron de Charlus refers to a visit he has recently paid to the famed writer, Bergotte, who has been for some time dead. Even after reading the explanatory note, I wanted to believe that the Baron was supposed to be shown in a lie, but even the aging Charlus would not commit such a blunder. Neither, though, … Continue reading 215. (Marcel Proust)
Aristotle, whose “hexis” is not passive habit, but whose thought of human happiness and nature turns on habituation, tells us that tragedy differs from history in that the latter is concerned with the actual and the former with the probable. By probable, he is taken to mean and likely did mean, something that could have taken place, given what we know through probabilistic reasoning. But … Continue reading 213. (Marcel Proust)
From the “Proust and Other Matters” blog, a debate from an old Yahoo Proust listserv, over the name of “Cambremer,” which features as a joke first in Swann’s Way, but then centrally in Sodom and Gomorrah, when the lift boy fails to correct his pronunciation, “Camembert”: Dear Sharon, Today, I just wanted to correct your interpretation of the jokes about the name Cambremer. The joke about the name … Continue reading 209. (Marcel Proust)
To illuminate Proust, consider Zola, who aspires, like Proust to a mythic scale, and whose novel Germinal is an epic of social change, the hero being a class of workers, a mass; like Proust, Zola is the novelist as social theorist. For Zola, all men are insects, but the insects are to pitied, admired, not despised or condescended to. The novelist, after all, is a … Continue reading 208. (Marcel Proust)
