220. (Willa Cather)

It’s not only re-reading Willa Cather’s The Professor’s House at the same time as reading the final volumes of Proust’s novel … More

207. (Amy Clampitt)

Amy Clampitt’s “Nothing Stays Put” opens with an allusion to Wordsworth’s “The World is Too Much With Us,” and the … More

200. (Wallace Stevens)

Stevens’ poetry is the culmination of romantic idealism, and in comprehending its method and ambitions, the words of philosopher Sebastian Rödl … More

186. (Tim Vallence)

The following is a poem by Tim Vallence, a former teacher and friend. It was recently published in the journal Southerly; … More

183. (J.R.R. Tolkien)

I don’t think it’s much use denying that Tolkien’s mythology is in some ways racist: growing from Anglo-Saxon ideologies of … More

169. (Willa Cather)

At least in her four masterpieces–My Antonia, The Professor’s House, Death Comes for the Archbishop, and Shadows on the Rock–Willa Cather is … More

152. (Wallace Stevens)

When you start out with a feeling of alienation—from an unspoken, blank, or meaningless past—from a mass of others, or … More

144. (Philip Larkin)

[COMPLETE VERSION.]  A chief complaint against Larkin is the insularity, his reaction to modernism that confuses an affirmation of Hardy’s special … More

143. (Marina Tsvetaeva)

And, in part, 143. (Elaine Feinstein), since it is Feinstein’s translations (written with the assistance of Angela Livingstone) from the … More

140. (William Empson)

William Empson’s poetry has, until very recently, and despite years of trying to read it with some genuine appreciation, been … More