It’s true enough that Robert Browning’s enduring preoccupation was the perpetual fracturing of truth. But that preoccupation persists through poetry … More
Category: 19th Century
338. (Algernon Charles Swinburne)
The first chorus of Swinburne’s Atalanta in Calydon is by widely accepted as one of his finest achievements—susceptible, as all … More
336. (William Wordsworth)
O blithe New-comer! I have heard,I hear thee and rejoice.O Cuckoo! shall I call thee Bird,Or but a wandering Voice? … More
330. (Samuel Taylor Coleridge)
Though he does so only indirectly, Coleridge raises the question of whether literature can be considered a form of knowledge? … More
327. (William Blake)
A source of strength for William Blake’s sensitivity towards freedom, and all that it can mean and be, is a … More
326. (Percy Bysshe Shelley)
The sublime is central to Shelley, and Shelley’s relationship to the sublime makes him central to modern poetry, as no … More
319. (Anton Chekhov)
On “Ward No. 6” This post belongs mostly to a good friend of mine, whose specializing in Victorian literature enriches … More
316. (Anton Chekhov)
Some Notes on Chekhov: –The doubleness of the short story as he writes it: amazement at the vista of a … More
313. (John Keats)
There is the occasion and there is the utterance; there is the condition and there is the judgment; there is … More
304. (Harriet Jacobs)
Harriet Jacobs’ Incidents in the Life of a Slave Girl is a remarkable work of one of the few (only?) … More