“The Rime of the Ancient Mariner,” though it would seem to belie, superbly confirms Coleridge’s critical principle: “nothing can permanently … More
Category: 18th Century
391. (William Blake)
Blake’s Milton might have been called, at least as a second title, “The Lark and Wild Thyme,” since these are the objects … More
327. (William Blake)
A source of strength for William Blake’s sensitivity towards freedom, and all that it can mean and be, is a … More
318. (Alexander Pope)
Alexander Pope thought the poet a supreme critic—of mankind’s second nature, in its variety of forms, manners, and habits. But … More
278. (Alexander Pope)
Much that is felt to be absent in Pope’s great poems—The Rape of the Lock, The Moral Epistles—is a source … More
176. (Robert Burns)
It’s difficult to know what to do with Robert Burns, besides read and enjoy him, and take fortification from him; … More
106. (Alexander Pope)
Wordsworth, conceding that he knew some thousand lines of Pope’s poetry by heart, set him nonetheless “at the foot of … More
30. (Samuel Johnson)
At the same time as the novel was rising in the world, the greatest force in English letters was working … More