335. (Horace)

Here is David Ferry’s translation of Horace, Ode III.4: Come down from heaven, Calliope, and play Upon the flute a … More

334. (Sebastian Rödl)

Philosophy yearns to reveal time in a form that is understandable and universal, its essence scraped away, seized as it … More

The best critics are the best readers; what they see in a text is the judgment at work and at … More

The strange and wondrous movement of Wordsworth’s blank verse can be felt with special force in a poem that is … More

Jonson’s “To Penshurst” is an extraordinary achievement of technique: a poem that feels relaxed, and at ease, and yet is … More

Though he does so only indirectly, Coleridge raises the question of whether literature can be considered a form of knowledge? … More

Kafka’s The Trial takes as its subject matter the disenchantment of turn-of-the-century bourgeois modernity; but it presents, in what it … More

Donne’s poetry does not achieve ambiguities at the cost of compression; it achieves compression with the success of ambiguities. That … More

A source of strength for William Blake’s sensitivity towards freedom, and all that it can mean and be, is a … More

The sublime is central to Shelley, and Shelley’s relationship to the sublime makes him central to modern poetry, as no … More